11/24/2023 0 Comments Maurice chevalier gigi“So, everything is absolutely perfect.” Thank heaven for that. Stream songs including 'Gigi (Main Title)', 'Opening' and more. “Not only does she win financial success and respectability, but she wins the love of basically the man she just adores,” said Caron. Listen to Gigi (Original 1958 Motion Picture Soundtrack) Deluxe Edition by Lerner & Loewe, Maurice Chevalier, Louis Jordan & Betty Wand on Apple Music. Or maybe it’s Gigi herself, at its center, who finally finds the world at her feet. ![]() Maybe that’s what has kept audiences coming back for 60 years, and what earned the film an unprecedented nine Academy Awards, including best picture, in 1959. In the glamorous Paris of Gigi, nothing is what it seems, yet everything is a joy to behold-a sort of dazzling musical merry-go-round. ![]() Minnelli, I’m so sorry, but this is the head waiter of Maxim’s! This is not an actor.” Minnelli’s assistant rushed over, whispering into the director’s ear, “Mr. Alfred Drake performed the song in the 1973 Broadway stage production of Gigi, and in the 2015 revival, it was sung as a duet between Victoria Clark. “Will somebody teach that man how to hold a menu?” he called. 'Thank Heaven for Little Girls' is a 1957 song written by Alan Jay Lerner and Frederick Loewe and associated with Maurice Chevalier, its original performer. Finally, Minnelli pointed to the headwaiter. Caron remembers Minnelli asking them to repeat the sequence over and over, without explaining what was wrong. At the beginning of the scene, Caron and Louis Jourdan were to sweep into the restaurant, greet the headwaiter, and receive menus as they sat down at their table. The extras themselves baffled him a bit more. Movie: Gigi (MGM), starring Leslie Caron, Maurice Chevalier, Louis Jourdan, Hermione Gingold, and Eva Gabor. During a crowded scene at Maxim’s, he used the restaurant’s art nouveau mirrors to emphasize the colored plumes and top hats of the stylish throng-painstakingly positioning his equipment so that the period elements could be seen, but his electric lights and cameras could not. “In 1900, nobody smiled-let your face repose.”ĭirector Vincente Minnelli insisted on authenticity as well. “Don’t smile,” Caron remembered Beaton telling her. Gigi (Leslie Caron) is a young coquette growing up in that rarified environment we first see her frolicking carelessly in the park as distinguished playboy Honore (Maurice Chevalier, in his best late-career role) extols the virtues of little girls, but soon she is thoroughly enmeshed in salon society as her high-strung aunties attempt to. “He never stopped!” The images, taken in natural light, are as evocative of Gigi’s production as they are of its Belle Époque period. “Between scenes, he would drag us into the landscape and make beautiful portraits of us,” she said. ![]() Caron recalled that Beaton was also responsible for Gigi’s lavish scenery, though he was uncredited for it, and that he took photographs on his own throughout filming.
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